#figured i should start posting these here too

[lumibuns-blog]

Can’t stop thinking about how much Simon “Ghost” Riley loves his American girlfriend.

Unlike the other 141 boys he wouldn’t poke fun at you or tease you about the different words you use. Kyle loves to correct you,

“Whens the soccer game on tonight?”

“Its football love, not soccer, ‘cause you kick the ball.”

“You kick the ball in American football as well.”

“Yeah but...ours is better”

Johnny’s a tease

“Have you seen my swimming suit?”

“You wear a suit to go swimming?”

“I’m not calling it a costume”

“Well it sure as hell isn’t a bloody suit”

Even Price gets in on it by pretending not to hear you,

“Can you grab some chips from the kitchen?”

“Hm? Sorry dear can’t hear ya’”

“Grab me some chips!”

“Gunna’ have'ta repeat that”

“....crisps”

“There ya’ go, really outta speak up more sweetheart”

Never mind the fact he was right beside you on the couch.

But Simon, Simon is different. Never once has he corrected or teased you, to the point where its become a bit of a hindrance.

“Can you stop by the gas station on your way home?”

And he’ll just stare at you, an almost blank expression on his face, only the fidgeting of his fingers give way to what he’s thinking.

“The petrol shop Si’”

“Right.” 

Is it because he doesn’t care? Or maybe he’s too frightened he’ll scare you away if he corrects you? Whatever it is he’ll never say, but one thing is for certain, he’s absolutely elated when you start to pick up the British dialect.

You tell people your boyfriend is a leftenant instead of a luitenant and he’s looking at you like you hung the very stars in the sky.

Ask for a “wife beater” while pointing at the bottles of Stella Artois in his fridge and he swears his heart just skipped a beat (despite the crude connotations of the nickname)

Ask him to pick up ‘Maccies for you bolth on the way home and he almost causes a 20 car pileup because he has to hide his burning face.

Tell him you like the black jumper he’s wearing and theres three more in the online cart already.

And when you start swearing like a “proper brit” he’s ready to get down on one knee. He hears you mutter “bloody hell” from across the flat as you listen to news report an expected  10cm of rain for today and for the first time in his life he’s thanking god Manchester is such a dreary place.

You’ve become part of his life, he hadn’t scared you off, you hadn’t gotten tired of him. You wanted to be here, you wanted him. You’ve been here long enough to pick it up, you’ve spent enough time together even your words are beginning to match each other, and theres nothing in the world that could make him happier. So he’ll never once correct you or tease you when you ask to go on a vacation even if he’s blindly nodding along to your requests and scurrying off to the bathroom later to look it up and figure out you wanted to go on holiday with him. Cursing under his breath while he fishes his phone from the sink because he dropped it in his shock at the revelation you wanted to go on holiday with him. Give him two days and he’s already bought the tickets

Sorry for the lack of posting! Schools been getting busy and I'm working on getting a draft of a book ready to send to a publisher so it's been a bit hectic but I absolutely love posting for you guys here on tumblr (srsly all your comments make my day) so I'm going to try and keep posting as regularly as I can! working on a longer chapter for my Ghost and Soap's roomie series rn so that should be out somewhat soon! thank you all so so much for your support.

[ghostlyglimmer]

You're Grounded Mister

Summary:

A mission gone wrong leaves the Batkids bickering—until Batman grounds them and Danny Fenton, a confused civilian caught in the chaos. This one-shot is based on this post by Shower-Phantom-Ideas

It had all gone downhill fast.

The plan had been Dick’s idea—though Tim and Jason definitely could have pointed out the glaring holes in it, and Damian hadn’t exactly offered his usual dose of cynicism. It was supposed to be a quick, in-and-out operation. Minimal risk, maximum payoff.

But things got complicated when that guy showed up. Just some kid, and not even a vigilante or a rogue. It was supposed to be a straightforward job in Gotham’s shadier district—stop the exchange of a highly dangerous chemical, break up the bad guys, be home in time for breakfast. But, no, some civilian had gotten in the way and distracted the gangsters long enough to mess with their timing.

As Jason would tell it later, “It was just bad luck.” As Bruce would say, “It was complete negligence.”

And as for Danny? Well, he didn’t have much of a say in it. Not that he was about to back down from a bunch of armed gangsters, especially with the Batkids swooping in around him, leaving chaos and knocked-out criminals in their wake. Danny had handled a few of them before they even showed up, quietly taking out the last of them when Bruce finally stepped in.

And now they were here, a tense, heated argument in a dark Gotham alley.

“You should have waited for backup!” Bruce snapped, his voice slicing through their squabbles. “I told you it was a risk to go in alone—especially when we didn’t have all the intel! This is about safety, and clearly—”

“Right, clearly we were fine until you stepped in,” Jason shot back, scowling.

“It would have gone smoothly if someone didn’t just happen to be there,” Dick muttered, clearly feeling defensive.

“It was your idea, Grayson!” Tim hissed, his voice laden with frustration. “Don’t turn this around.”

“Maybe if you’d listened—”

Damian scoffed. “I could have handled them on my own.”

Bruce’s frown deepened, and he turned to Danny, who was awkwardly inching his way toward the exit.

“And don’t think you’re getting out of this,” Bruce said, turning his Batglare on him. “You’re grounded too.”

Danny froze, one foot halfway lifted in a tippy-toe pose. “I… I’m sorry, what?”

The Batkids stopped mid-argument and looked at Danny, then back at Bruce, then at each other, as if piecing something together. Dick’s face morphed from irritation to confusion; Jason’s went slack.

“Uh… Mr. Batman, sir, with all due respect, I’m just some guy,” Danny said slowly, staring at Bruce. “Can… Can Batman even do that?”

“Everyone in the Batmobile,” Bruce said firmly, ignoring Danny’s question. “We’ll discuss this further in the morning.”

Danny, still too stunned to process much beyond “Batman grounded me,” felt himself nodding along. Guess we’re going with it.

The ride was silent and tense. Jason looked broody, arms crossed, staring out the window. Tim rubbed his temples, probably rethinking every tactical choice. Dick was sulking, and Damian, surprisingly, just looked mad at being lumped in with the others. Danny, meanwhile, stayed very still, wedged between Tim and Jason, trying not to breathe too loudly. It was a surreal experience—he was tired, his limbs ached, and his brain was reeling from the absurdity of it all, but it was Batman. The Batmobile wasn’t exactly the place to make his objections.

By the time they reached the Batcave, Danny figured he’d try for some clarity.

“Uh,” he started, looking around at the cavernous space, vast and impressive, filled with tech and lights. “So, do you mind if I, uh, call my family to tell them I won’t be home tonight?”

The entire cave fell silent. Jason froze mid-complaint, Dick and Tim stopped sulking, and Damian’s scowl melted into shock. All four of them stared at Danny, and then slowly, like someone had hit pause, their heads turned to look at Bruce.

He seemed unbothered, glancing at Danny as if this were just standard procedure. But for everyone else, the realization was dawning. Dick was the first to speak, his voice wavering.

“Uh… Bruce?” Dick asked slowly, eyebrows raised. “Did… Did you kidnap a civilian?”

Bruce frowned. “I don’t know what you’re talking about.”

Jason burst out laughing, doubling over, his hands clutching his sides. “Oh, this is gold. He’s not even a rogue, B. He’s just some random guy you told to get in the car!”

Danny held up his hands. “In my defense, it was Batman, okay? Who’s going to not get in the Batmobile when Batman tells you you’re grounded?”

Tim covered his face with both hands, muffling his laugh. Damian scowled, crossing his arms.

“This is embarrassing,” he muttered. “Father, you’re losing credibility by the second.”

Bruce’s expression tightened, clearly irked by the fact that his kids’ attention had wandered from the initial issue. They had disobeyed him, endangered a civilian, and now they were laughing because, okay, maybe he had unintentionally forced said civilian to join them in the Batcave.

He sighed, rubbing his temples, clearly rethinking several recent decisions.

“Alright,” Bruce finally said. “My apologies. You were in the wrong place at the wrong time, and you don’t need to be here. We’ll get you a ride back home.”

Danny blinked, a little surprised. “So, wait, I’m not grounded?”

“No, you’re not grounded,” Bruce replied, a small smile tugging at the corner of his mouth.

Jason snickered. “Damn, you got off easy. We’re grounded for sure.”

Bruce cleared his throat, and the smiles faded from the other Batkids’ faces. “Yes, you’re grounded,” he said, looking at each of them in turn. “All of you.”

They groaned in unison, but Danny, relieved beyond measure, was already edging toward the door. He nodded a quick thank you to Batman and managed a small, awkward wave to the others.

As he left, he could hear Dick muttering, “Grounded… from what? We’re grown men!”

Jason groaned. “Grounded as in, no solo missions, genius.”

Danny paused, letting the sounds of the Batfamily’s complaints echo behind him as he took the lift back to ground level. He shook his head, chuckling. Only in Gotham. Only with Batman would you end up “grounded” for just existing in the wrong place at the wrong time.

But hey—at least he got a free ride in the Batmobile out of it.

[planetpedri]

hey queen! Could you do a angst of Pau cubarsi? Pau and reader having an argument before going to his family gathering. Pau’s sister noticed that reader is quite upset and talks with Pau about it. When they return home, they’ll talk about it and everything! 🫶🏼

Coming clean — Pau Cubarsí.

Pairing: Pau Cubarsí x Fem!Reader

Summary: An unresolved argument with Pau had ruined your whole night. Luckily for you, Irene is right there to help you get Pau to come clean.

Word count: 1.17k

Disclaimer/s: arguing , angst to resolved ending.

A/N: it’s 3:45 am and i can’t sleep so here is this! + hi Bea! how about you try to end a fucking post w out it ending in a kiss???🤦‍♀️

The car ride to Pau’s parent’s house was silent. No music, no talking, just pure and tense, silence. The lingering anger from the argument that had only happened ten minutes ago was still fresh.

Even when you arrived, at least a foot apart, you still hadn’t talked. You separated from each other instantly; Pau finding his cousins and you wandering around aimlessly.

Irene watched as you arrived, she could sense that something was off when instead of finding her or her parents, you milled around the food table.

She pushed off the counter she was leaning against and made her way towards you. When Irene called out your name, you plopped a grape into your mouth before turning to face her with a forced smile.

“Irene! Hi!” Your expression falters when you see the way she was looking at you—pity. “What?”

“Let’s go take a walk, yeah?”

Your eyes dart to Pau, who was busy conversing with his cousins. “Okay, yeah. Where to?”

Looking around, the girl points to the back door. “My mom’s flowers started to bloom, want to take a look?” Subtle. Very, very subtle, Irene.

Lips pulling into a thin line, you nod. Irene spins on her heels and marches her way towards the door. You pass Pau, but he doesn’t bother looking in your direction, though you knew he saw you by the tick of his jaw.

Trying not to scoff, you take a deep breath and follow Irene out the door. The spring air hits you comfortingly and the view of Mrs.Cubarsí’s flower garden brings a genuine smile to your face.

“It’s really improved since the last time I was here.” You comment, bending down to sniff one of the vibrant flowers.

Irene hums in agreement. “So, what happened with you and Pau?” When your head snaps in her direction, she chuckles. “Sorry, I just noticed you two were unusually distant and you looked upset.”

You let out a quiet, “oh!” Before you continue. “We argued. It’s a communication problem.” You wave your hand as if to dismiss the problem, but a butter taste lingers on your tongue.

“Okay… tell me about it? Pau is usually an open book, or at least, he used to be.”

You snort at the last part. “Used to be, yeah. Not anymore. For some reason, he’s been holding things back recently, and oh! Yesterday, I went to hold his hand and he—well, he pushed his hand back into his pocket.” You point at the house, though not directly to wherever Pau probably was. “Him avoiding affection? Not normal.”

Irene’s forehead creases in confusion. Pau had never, not once, refused to show you affection. In fact, he was always seeking it out. “Okay, yeah, weird. What did he say when you tried to talk to him?”

You couldn’t help but scoff, “he said that I was ‘reading too much into things’ and that I was, ‘being dramatic’. I’m staring to think—“ Your mouth clamps shut, you couldn’t say that.

Giving you a look, Irene urges you to continue. “Think..?”

“That he’s..” You run your hand over your mouth, “that maybe he’s falling out of love. It’s stupid, I know, but I can’t help but assume, y’know?”

Frowning, Irene nods in understanding. “He loves you, i’m sure of it. He’s just being difficult. Maybe you two should leave early, talk it out?” She pauses, “or I can give him a talking to.”

Your eyes widen, “no! No. Do not talk to him, i’ll figure it out. Just.. need to figure out what to say first.”

“Let’s go back to the party and you contemplate while we stuff our faces, perhaps?”

“That sounds like a brilliant idea.”

When the gathering was over and Pau was driving you back home, you play with the hem of your skirt. “Pau?” You speak quietly, not sparing him a glance.

Pau turns in your direction momentarily, offering you a short, “hm?”

“Can we talk.. please?”

No matter how upset, or annoyed Pau maybe be, he couldn’t resist the pleading tone in your voice. “I guess.” He answers, “what do you want to talk about?”

“Why you’re upset with me. I mean, before our argument. Clearly I did something to hurt you, or maybe you just..” Your voice fades into nothing, scared to speak.

“Just what?” He doesn’t comment on the parts before that, so you know you definitely did something wrong.

You pick at the lace harder, “I know it’s probably me reaching, but, I just thought that maybe you are like—“ You were tripping over words, too embarrassed to speak them out loud. Forcing yourself to come clean, you take a breath, “maybe you were falling out of love.”

The car lurches to a halt, right at a red light. Pau’s head whips in your direction, “what? No! Jesus, baby, no! Not that! I love you, I do.”

His words of reassurance made you feel a sense of relief, but still, your theories about upsetting him were only becoming easier to believe. “I love you too, but, my question still stands. What did I do to upset you, and how do I make it right?”

As Pau begins to drive again, he sighs. “The other day, when we were having dinner with the guys and their girlfriends, why did you lean away from me when I tried to kiss you?”

You did that?

Genuine surprise takes over your face. “Wait, what did I do? Shit, Pau, I didn’t even realize.”

His bottom lip tugs between his teeth as he turns into your driveway. “Are you sure? Because it felt intentional.” His words had bite to them, whether he meant to or not.

“Seriously, I would’ve never done that intentionally. Is that why you’ve been so withdrawn?” You frown, leaning your head back against the headrest and unbuckling while Pau parks.

He nods shamefully, “sorry, I just got upset. I was being a dick when I should have just talked to you about it. I’m sorry.” He couldn’t meet your eyes, to annoyed with himself to face you.

“Pau.” You sigh out, “look at me.”

He does just that, meeting your eyes with a pained look. “I’m sorry.”

“I know. You can’t do this again, though.” You give him a warning tone, “and you owe me, big time.”

Nodding, Pau grabs your hand, giving it a tight squeeze. “After my next game, we should go on a date. Anywhere you want to go, i’ll take you.”

Tapping your chin, you ponder the idea. “How about a movie night? I want alone time, and you will be watching every movie I chose, got it? Oh, and please bring snacks.”

A smile forms on Pau’s lips, causing one to grown on yours. “Anything you want. Make a list, i’ll stop by the store on the way here.”

Sitting up and gathering your things, you nod. “Will do! Goodnight, I love you.”

“Goodnight, I love you.” Pau leans over, meeting your lips in a soft kiss.

likes , comments , and reblog’s are all appreciated. lmk if you’d like to be tagged in future pau posts.

DTS , @halfwayhearted @ar4ujos @sakashq @joaoflms @hrts4havertz @spidybaby @unx100to !

[alchemistc]

Y'all were so insistent that I keep going with the Eddie Fixes It By Making It Worse post breakup fic.

This is officially a three-parter. Sorry. Or you're welcome.

You can read part one here

We have to make out in front of Tommy.

Buck's in the ice cream aisle, reminding himself that he has given himself three more days of moping and ignoring his diet before he gets his ass in gear and starts to live a life again. The Halo Top is mocking him, jeering and heckling as he goes for the Blue Ribbon. Mint chocolate, because Buck always loved it and he can almost forget the mock fight he'd had with Tommy three months in when he told Buck he refused to allow toothpaste flavored treats into his home, and how they'd barely gotten back to his place without a public indecency citation.

He stares at the text until his eyes cross.

What, he sends back, and slowly, cautiously, returns the pint of ice cream to its spot in the cooler. Maybe he should lay off the sugar. He's had enough.

Trust me

It comes in almost immediately and Buck tries to rewind, tries to figure out what any of this means, what the context is, why he's getting an actual Trust Me Bro from his best friend.

You've already met your last and it's not me comes crashing back to the forefront of his mind. He's had a full 36 hours to forget it, and he had been nearly there, nearly ready to chalk it up to Tommy trying to make him angry. Which he's been doing a really fucking excellent job of, lately. Almost like he knows all the buttons to push. Like Buck had given him the owners manual.

Tommy had meant Eddie? How could Eddie have possibly come to that conclusion? What the hell was he doing sending Buck half across town to the market for snacks when -

Buck judges the distance from this market to Eddie's. Then to Tommy's.

"Oh you mother -."

A woman squeaks by with her kid in the cart seat and glares.

---

Are you at Tommy's right now

No question marks. This is an accusation. Buck's thankful there are no perishables in his cart as he abandons it in the lane and hikes it towards the door. It's a dick move, and Buck feels, a little spitefully, like if anyone remembers him they'll remember him from the times he and Tommy giggled and play-fought down the aisles, so they'll think of Tommy when they think of the cart left behind. Resent him for it, maybe.

Not like Tommy isn't particularly good at just leaving things behind.

Yeah. Join me.

Buck breaks through the doors and feels a little woozy. This might be a panic attack. His chest fucking hurts.

🖕just get my stuff and meet me at yours. tell Tommy we burned all his shit

Eddie is an asshole. I'm not gonna LIE to the man. Also he definitely doesn't have an Evan box ready to go, so take what you will from that

Buck's still in that vicious cycle where he goes from angry to upset to sad in record time, no barriers in between, where every bruise feels like it's healing too fast so he keeps pressing in just to watch the color muddle. He hates this.

It'd be a Buck box, Buck texts back, just to release some of the pressure behind his temples, and he pulls in a few deep breaths before he jogs for the Jeep. He's gonna go home. Throw on the DVD copy of Sleepless In Seattle Tommy left behind and then maybe once that's done he'll throw the damn thing in a blender.

Are you coming or not?

Buck turns the ignition and peels out in a direction that won't lead to his own home, or the things Buck has been too much of a mopey bastard to pack up and return to their owner. At a red light two miles down the road, he shares his location.

Eddie sends back an ominous Hope you brushed your teeth today.

---

Eddie gets the door and it sucks just as much as if Tommy had. They barely ever spent time at Tommy's, and Buck can see it now for the boundary it was. When they had, though, their time had been split pretty evenly between Buck picking him up for a date, and Eddie wanting to leave the quiet echo of his own house to hang with them - a car on a lift and beers shared between them, Buck watching the pull of muscle beneath Tommy's shorts as he took Eddie down to the mat, Tommy's fingers drifting through the short curls at the back of Bucks head while Eddie yelled about triple-doubles and chatted with Tommy about how impossible coverage was for some guy named Joker.

Buck has never actually figured out who that guy was. Eddie hated the Mavericks and he hated the Lakers but Eddie also complained about the guy so much he definitely wasn't a Clipper.

Eddie gets him by the forearm when Buck shows clear signs of regretting this. Drags him through the front door before Buck can fully execute his spin and stomp back to the Jeep.

Tommy's next door neighbor had waved at him from her yard where she was doing something new with her display of bird sculptures, and Buck hadn't had the heart to do anything but raise his hand back.

It's less than ten seconds before Eddie is steering him down the hall, into the living room. It's cozy in here. Lived in. Mismatched furniture that somehow fits, a blanket thrown over the side of the couch, dark wood tables and light wood flooring and lamps that look like they came from an estate sale up in the Hills. A huge ass TV set above the mantle of a gas fireplace that Buck never even had the opportunity to see working before... Before.

Tommy is a shadow coming out of the kitchen, and Buck can't help but be a little pleased that he looks as crappy as Buck feels.

---

Eddie claps his hands together before either of them can get a word in. "Okay. Here's the thing. You're both dumbasses and there's a lot of shit that you guys gotta figure out on your own. But apparently you," he points at Tommy with the lip of a beer bottle. Corona. Tommy hates the stuff, and Buck is reminded once again how dearly Eddie loves him, "need empirical evidence that there's no deeply repressed sexual tension between Buck and I. So."

"You're insane," Tommy says, and Buck feels like snapping at him. He's probably right. This is an insane thing to do. Eddie ambushed his ex and then ambushed Buck in the frozen treats aisle and now he wants to kiss Buck to prove a point? What??

Eddie ignores it. Turns to Buck. "How do you wanna do this?"

And now would be the time, actually. Now would be the time to cut the thread, make it clean, break it for good. Only despite his protest, Tommy is staring between them and his expression looks almost... hungry. Frightened, at the same time. Oh. Oh.

He really had thought...?

Eddie's a fucking idiot. Buck doesn't want to kiss him. He's squared with the fact that he definitely had a crush when they first met and he's definitely been attracted to Eddie and just not realized it but he doesn't want Eddie. He doesn't want a life with Eddie, not like that. He doesn't- He isn't -

He loves Eddie more than almost every other person on the planet, but he's not in love with him.

Buck squares his shoulders. Nods. "Yeah, okay," and then he's taking three strides to meet Eddie at the coffee table.

---

"Oh come on, are you serious?"

Buck ignores the exclamation from the peanut gallery. Tries to figure out where to put his hands. He's never really noticed the height difference before. It's barely anything - a couple inches at most - but it feels like he's looming, this close. Which is stupid. He's been this close to Eddie a million times.

Eddie bends his knees to set the beer down. Darts his gaze back up to Buck.

Buck's seen him pull this move before, and has to bite down the urge to cackle because those big brown cow eyes have charmed women up and down California and probably plenty of Texas too but the only time Buck's ever seen them look genuine was when he was looking at Shannon.

He's got a good face. Angular in all the right places, expressive in a way a lot of men try to hide. Good eyelashes, clear skin.

Eddie gets a thumb in one of Buck's belt loops and tugs.

It's a good move. It's a move that has inspired Buck to sink to his knees on more than one occasion with the right men. Man. Just the one man.

He desperately bites back a giggle when the front of their thighs brush and Buck feels nothing more than the heat coming off Eddie.

Eddie's flushed, just a little, like he's well aware how ridiculous this all is, but he's got his I'm So Fucking Serious face on and there is a part of Buck, something fucked up and broken and wrong, that wonders how Tommy would feel to see it. To know that Buck is out there in the world kissing people who aren't Tommy. It's not like he'd ended things because he didn't care for Buck, because he wasn't attracted to him. It's gotta sting, right?

Buck gets a hand on Eddie's waist, just above his hip bone. He's never actually paid attention to how much more slim Eddie is, before, how big Buck's hands feel against him.

The night Tommy had first kissed him, Buck had spent an indeterminate length of time replaying every second of the interaction. The lead up, the frank honesty, the way Buck's entire body had followed the flow of Tommy's. Heart racing, body thrumming: when Tommy had ducked his head, when he'd laughed, when he'd opened up his body language and dropped a tiny morsel of his heart, Buck had felt himself drawn in.

The lips that had caught his had set him alight.

Eddie shifts his weight and blinks up at him and for half a second Buck wants this to be a good kiss - earth shattering, life changing. He wants to feel it. Wants it to be better than every kiss he and Tommy ever shared.

The pointer and middle finger he uses to tilt Eddie's chin up are petty as hell.

[mywitchyblog]

Message to @alphaltrainreflection

First of all, bitch, where did I ever say anything about "eroticizing inferiority"? Like, be fucking for real. Show me the receipts. Because unless you’re reading between lines that don’t exist, nothing in my post said anything about power dynamics, submission, or “inferiority.” It sounds like you’re projecting some judgmental bullshit that I didn’t even invite into the conversation. So let’s start there—check yourself before you come into my space twisting my words to fit your weird little agenda.

Second of all, and I mean this with every ounce of sincerity, shut the fuck up. Genuinely, if you don’t like what you see, don’t interact. It’s that simple. Not everyone has to match your narrow idea of what shifting is “supposed” to be. Shifting isn’t some gated community where you get to play security guard and decide who’s allowed in. So do us all a favor, take that rigid-ass energy, and keep it to yourself, bitch.

Let’s be real for a second. You said, “sex freaks who insist on eroticizing inferiority are ruining shifting.” Bitch, nobody’s ruining anything—especially not me. All I said was that I want to get fucked. Plain and simple. If my desire to shift for a good time offends you, you’re free to move along. Shifting means different things to different people, and if sex is part of that, it’s totally valid. If I want to shift to a reality for some damn good dick, who the fuck are you to get all sanctimonious about it? Newsflash: your opinion on what’s “appropriate” doesn’t apply here, darling.

And let’s get one thing fucking clear, because clearly, you need this spelled out: even if someone did want to shift to a reality where they take on a more passive, submissive role, what of it? Why the fuck does that bother you so much? Some people spend their whole lives having to be strong, holding shit together, constantly defending themselves, and staying in control just to survive. Maybe, just maybe, they want to create a reality where they can finally let go, surrender, and trust someone who respects them and won’t take advantage of them. Imagine that—feeling safe enough to let down your guard and explore a side of yourself you don’t get to express in this life. For some people, that’s healing. For others, it’s fun. Either way, it’s their choice, not yours. So back the fuck off.

So let’s talk about this “ruining shifting” nonsense you pulled out of nowhere. Bitch, the only thing “ruining” anything is people like you, stomping into conversations uninvited and acting like you’re the gatekeeper of how others should experience their desires. You’re clinging to this imaginary rulebook about what’s “appropriate” for shifting as if that makes you morally superior, but all it does is make you look insecure, judgmental, and way too invested in other people’s business. Spoiler alert: nobody gives a fuck about your approval or needs it to validate their experience.

Here’s the truth, since you seem to need a wake-up call: shifting is deeply personal. It’s about self-determination and freedom, not conforming to some rigid-ass code of conduct set by random bitches on the internet. If someone wants to shift for spiritual growth, self-discovery, sexual exploration, or all of the above, that’s their fucking prerogative. Shaming them because it doesn’t align with your limited, vanilla-ass view of what’s “appropriate” is straight-up pathetic.

And by the way, bitch, sex is a natural, beautiful, and completely valid part of life. If I want to shift for sex, or if someone else wants to shift to feel cherished, adored, or, yes, even submissive, that’s nobody’s fucking business but ours. Maybe instead of trying to drag others down to your level of insecurity, you could take a hard look in the mirror and figure out why other people’s sexual autonomy bothers you so damn much. Because this isn’t about “ruining shifting”; it’s about you being uncomfortable with the idea of someone enjoying themselves in a way that’s different from what you deem acceptable. Maybe some self-reflection would do you some good.

To every other shifter out there who’s ever been made to feel guilty or “lesser” for shifting for your own reasons, listen up: you don’t owe anyone an explanation, and you don’t need anyone’s approval. Your DR, your fucking rules. If shifting for you is about finding love, intimacy, exploration, or yes, even some good dick, that’s your choice. Don’t let some insecure bitch shame you or make you feel like you’re somehow ruining the experience just because it doesn’t fit into their narrow little box. Shifting is about creating the life and reality you want to live—whatever the fuck that looks like for you.

So, here’s a suggestion: take your unsolicited, holier-than-thou attitude and keep it to yourself. If you can’t handle seeing people talk openly about their desires and goals for shifting, then bitch, scroll past and save yourself the outrage. Because at the end of the day, I’m not here to please you, and neither is anyone else. We’re here to live our best lives, however we see fit, and if that’s too much for you, the door’s right over there.

To everyone who’s out here shifting for what they want, keep going. Own your desires, own your reality, and don’t let anyone’s outdated judgment make you feel like you’re doing it wrong. Shifting is your journey, and if that includes exploring intimacy, vulnerability, or sexuality, you’re not alone. You’re valid, and your experience is just as real and important as anyone else’s.

Consider this your reminder that no one’s begging for your approval. I’ll be over here, unbothered, shifting for exactly what I want, and loving every fucking second of it. ✨

[pinkiemachine]

Random Batman Thoughts…

This all partially began when I saw a post recently that featured an enraged Batman fan going after the “Soft Batman” fans. Aka, the “Good Father Bruce Wayne” fans. The person in said post claimed that, in reality, Bruce is a brutally tortured and mentally dysfunctional bad dad and frequently hits his children and should never, ever be considered “pure” as they seemed to think so many of these “naive” fans do.

I, personally, have never once considered Bruce a perfect father figure. However, I’d be lying if I said I have never wanted him to be. What’s alluring about the idea that so many of us “Soft Batman” fans have conjured up here on the internet is that, simply put, we just want to see Bruce get better. We want to see him heal. We want to see him happy, and for him to not hurt the people he cares about.

We all know he’s a brutally tortured character. We all know he’s hurting, and broken, and angry. If he wasn’t, he would cease to be Batman. However, I have a question for the people on the other side of the fandom: do you want Bruce to continue to be horrible? I feel the need to genuinely ask, because there are some individuals out there who seem to think the darkness is all there is to his character, 100% of the time (which is NOT true, by the way). I know it’s easy to come away from a run or two of the comics thinking that—the sheer number of comics written for Batman that are just so deeply depressing and dark and horrifying, is, uh… it’s not a small number—but again, that’s not every single panel of every single comic out there. There are plenty of moments where, even just for a little while, Bruce shows that he’s more than the mask. He shows us that he’s still a human being who wants to care about people. Who does love the people closest to him—or at least, he tries to, even though he’s really bad at it (and then there’s the trauma and etc etc…)

ahem

So… why do some fans want people to give up on “Soft Batman” and “Good Dad Bruce Wayne?” I’d like to think that it’s just because in the comics, by and large, Bruce is portrayed as an emotionally unavailable, difficult father figure at best, and a kidnapping psychopath at worst. And, you know, I do get wanting comic book accuracy (ESPECIALLY in this day and age) but I have a counter question… is it so bad to depict Bruce as—at the very least—trying to be a good dad? I know, I know, some fans get carried away and we make our silly little fan art of a hyper idealised Bruce, and everyone’s dancing and skipping and having a jolly good time, and I know that must seem off-putting to the hardcore fans—but guys… it’s fan fiction/fan art. This is just a playground where anyone and everyone can use their imagination to create whatever the snarfblat they want. It’s wish fulfilment, and fantasy indulgent, and good, plain fun. And for what it’s worth, I prefer people making wholesome, kind, and loving fan art rather than just more senseless blood, gore, and p***. The world doesn’t need more of that than it already has. But… as far as fans on the internet go, I say, get off their backs. This is supposed to just be for fun. I know it’s annoying, but so long as it doesn’t start affecting you and your section of the fandom and—especially—the mainline continuity, then what’s the harm? I say, let sleeping dogs lie.

HOWEVER, FOR THE RECORD I would like to say, just because I’m one of those people who enjoys the “Soft Batman” stuff, that doesn’t mean I would actually want a whole tv show of nothing but “Soft Batman.” Nor would I write a series of nothing but “Soft Batman.” (A lot of you are probably aware that I’m writing a series synopsis for my own Batman show, Superman show, Wonder Woman show, etc.) I’ve read a good chunk of Wayne Family Adventures, and while I did enjoy myself a lot, there were moments where I was like, “Okay, yeah, this is getting a little too sappy.” Like, I would never write Jason having a panic attack and all the Bat Fam being all cuddly and supportive and Bruce kissing him on the head. As sweet as the idea is… it’s just a little much. For a mainline Batman tv show or movie, it does still need the dark and the gritty and the serious, otherwise it’s just not Batman anymore. Actually, my ideal writer’s room for something like this would consist mostly of men. Preferably, men who all know, love, and respect the source material. For as much of an aspiring writer as I am, at the end of the day Batman is a boys franchise—and I think that’s how it’s meant to be and how it’s meant to stay.

To that end, there are aspects about writing Bruce’s story that I don’t have an intimacy with, but a lot of men do. And my end goal for making any kind of Batman show is to give the fans a ride they will never forget. I want to give them something that excites them, that compels them, that means something to them, that makes them cry manly tears on occasion, but mostly something that’s fun to watch. Something both kids and adults have fun watching. I love writing personal, sweet scenes, and they will still be present because I do think they matter and will make the overall narrative stronger, but I don’t ever want the show to come off as wishy washy or touchy feely all of the time. There still needs to be a lot of action, a lot of epic fight scenes, a lot of real detective work, a lot of serious discussions, a lot of world building, and as much DNA of the original comics as possible. (Minus the particularly infuriating overcomplicated plots, and the constant shock baiting for the sake of comic sales.)

I guess I say all this to say… there’s a time and place for all the aspects of Batman. There’s a time and place for the dark and the gritty and anger and the being a bad dad who doesn’t know how to raise kids, and there’s a time and a place for the healing and the love and mild silliness and Bruce trying to do better for the sake of the people around him. Isn’t that the end goal of a story like this? Isn’t the point of having Bruce go through all of this darkness to then have him learn and grow and heal and get to a better place? I personally don’t see any point in his story otherwise. The only reason—the ONLY reason—a sad, depressing story should have a sad, depressing ending is if it’s a cautionary tale and/or teaches the audience about something important. Without that, a fully sad ending to a fully sad story is just a pointless exercise in meaninglessness, and that makes for empty, shallow art and abysmal entertainment. (Perhaps there’s an exception out there, but I’ve never heard of it.) If it has to be sad, then let it be bittersweet. Let there be something of value that was gained during the story, even if the overall tone of the ending is forlorn/sombre.

As for Bruce’s story… what else could it be besides a story about healing? Bruce fights not just to keep Gotham safe, but he also fights in the hopes that at least some of his villains can be redeemed. Perhaps it’s his own way of hoping that he can be redeemed as well. And the BatFamily is, surprisingly, a perfect vessel for that story. I’ll try not to make it too sappy, but come on, going from an orphan who was almost completely alone, drowning in darkness and trauma and guilt and grief, to a man who’s made something of himself and made a difference in the world and made it better and finds himself surrounded by such a large family of people who care about him, even if it is still a little dysfunctional? That sounds like a story that’s worthwhile.

Batman cannot stay a solo act. Too much of his story DEPENDS on him having Alfred, on having Robin, and learning how to heal if he’s going to have any kind of meaningful ending at all.

Sorry for the long post, this has just been rattling around in my brain and I felt like I needed to tell someone…

[butchvamp]

i did Lucanis's inner demons quest last night and have some thoughts [everyone groans in unison]

i admit that i definitely have a bias for Lucanis, i really like the crows (or i should say the crows from previous games & the lore around them) and my Rook is a crow so i'm inclined towards him in general.

that being said i feel i'm just. missing huge bits of information about him. he exists entirely in a void. i don't really know anything about his relationships with Illario or Caterina, the game glosses over so much of his role and what exactly he does within the crows (beyond just talking about how he was the Demon and the Magekiller) i suppose it's just too icky for the game to truly acknowledge outside of a few jokes about Lucanis poisoning the gang's food...

i know from seeing people posting excerpts from his novel that Caterina did, in fact, physically abuse him; i figured this was the case considering she's a high ranking member of the crows and thus no doubt had a role in torturing recruits, even if the game pretends like this is a thing that doesn't happen. you get a bit of banter early on where Lucanis, talking about Illario's behavior, says something along the lines of "My relationship with Caterina was complicated, too, and I was her favorite." implying some level of friction between them as well as conflicting feelings about her death.

but then that's it. we get nothing else. this should be a major piece of his story, a part of why he feels the way he does, and exploring Caterina's role in his and Illario's abuse would better expand upon Illario's resentment and make his and Lucanis's relationship more compelling beyond "Illario is a big jealous meanie."

i really wanted to like the inner demons quest more than i did, because conceptually i enjoy going into the fade/Lucanis's memories with Spite, so far Lucanis's quests have felt the most Dragon Age to me (fighting a naked woman in a giant pool of blood + seeing Spite lose control, him and Illario butting heads and having a competitive relationship before this (as the crows all should...), etc. these are fun!) but just like the rest of the game it's still holding back.

when you confront the memory of Caterina all you get are these choices:

none of these are particularly satisfying if you actually know the things Caterina has done... "Your love for him" is actually vile lol

this entire questline is a linear walk through fragments of the Ossuary & Lucanis's memories, there is nothing interesting here, Rook just plays therapist for about twenty minutes and then you make a nothing choice at the end that has no affect on anything at all... and most egregiously, we have learned literally Nothing new about Lucanis that the game hasn't already made an effort to tell us repeatedly (a real problem the game has in general, constant hand-holding and repetition).

there's Quite a bold choice to compare this quest to the Fade section in origins right at the start, with Rook and Spite joking about getting past the guards: "What did you expect, to turn into a mouse or something?" like yes, actually, i did expect something a bit more! even if you want to say the warden does the exact same thing with their companions in that quest, their dialogue is FAR better-- again, Rook's is all clinical therapy-speak (where did she even learn this shit? did the crows pay for her to get a degree in psych and become a licensed counselor?) and in origins, we do actually learn something new about each companion as well as getting to see them interact with their fantasies and/or nightmares. we get nothing here...

we could have seen him and Illario training together, being competitive, the early seeds of resentment being planted between them by Caterina's goading and abuse. we could have seen the guilt Lucanis feels about this, about Caterina's favoritism and how it's affected his relationship with Illario. we could have actually seen what happened to him when he was captured and in the Ossuary, we could have seen some of the horrible things he's had done to him and that he himself has done to become the Demon of Vyrantium, we could have learned more about why the demon inside of him became spite specifically-- because if what Zara's echo said is true, it started as an Envy demon-- so it was influenced by Lucanis in some way. what makes him spiteful? why is it spite that keeps him alive in the Ossuary...? is it spite as in defiance-- defiance of the Venatori, of Caterina's expectations and abuse, in defiance of Illario's betrayal...? unfortunately, Lucanis never really feels spiteful at all. determined to survive the Ossuary, but afterwards, never has he come across as spiteful (Spite is mostly just petty and a bit bitchy).

in my opinion the Envy demon fails because Lucanis was never envious of Illario or the First Talon position, only crushed by the loss of their relationship and guilty over Caterina's favoritism. obviously Caterina's expectations weigh heavily on him, but he knows he's the favorite, and he doesn't envy Illario for not being so-- he seems very aware of the fact that it doesn't equate to Illario having it "easier." but the game barely addresses this, only in weak voice-overs, while the majority of the quest is spent convincing Lucanis that he's not actually a demon. Lucanis is wholly a good guy that only kills blood mages and loves his poor grandma and his inner demon is entirely Literal and just him feeling bad about being an abomination :(

nevermind all that yucky complicated stuff. Illario is Bad and Jealous and deserves to be punished for... doing exactly what crows have always done.

of course it's easy to make Illario look bad when all of the other crows are treated like a found family, when we know that's not the case at all. crows have been competing and scheming and killing each other since origins. this isn't meant to make light of Illario's betrayal (in fact i still think it's quite significant given their history and the two of them being the last of their family) but instead Illario is very obviously suspicious from the start, the reveal of his betrayal was not surprising, it's predictable because, again, he is presented very differently from all the other crows we've seen in this game-- he's the Bad one, and Lucanis is the Good one. no nuance!

in his short story, The Wake, Illario is actually depicted as being extremely remorseful, getting very drunk and reminiscing on old childhood memories of Lucanis while Viago has to carry him home... of course there's no way of knowing the exact intent behind this story or what changed since (published in 2020 and written by Mary Kirby, after all) but either way, we don't get anything like that here. somewhere along the way we lost the depth and complexity of both characters; we don't get to confront this big ugly thing between them because the game refuses to engage with anything ugly at all.

[lemotmo]

okay here we go...

... I have sooooo many asks in my ask box with anons being really disappointed in the episode. It's impossible to answer each and every one of you guys. I would be answering questions until next Thursday. 😆

So I've decided to make a general post answering or addressing some of the topics you brought up in your asks.

About half of the asks was about 'copaganda' in the episode. I have to admit that this never even crossed my mind while watching, up until I started reading some asks.

As you all know, I am not American and the country I live in has a very different stance toward the police. But this is also because our police force seems to be very different from the American one. People here have to go to school for a long time to even be able to graduate as a police officer. There are very strict psychological tests as well.

The patrol officers that walk on the street also don't carry around guns of any kind. Quite often they ride around in my city by bike instead of by car. They are taught that 'violence' is always the last step. The first step is always trying to solve a situation peacefully.

When the police stops me for some reason, I don't have any kind of fear reaction. This isn't something I feel I should be concerned about in my daily life.

So yeah, while watching American TV-shows, I often just don't think about 'copaganda' unless it's really spelled out to me. It just doesn't cross my mind. Not in the way it would cross the mind of the American viewers. So I don't really mention it all that much. Next to that, I don't feel like I'm qualified to talk about this topic all that much, since I'm not a US citizen.

So, I'm just going to move on to the second half of the asks in my ask box. I feel more comfortable talking about this subject.

So the other half was mostly people sad that there wasn't enough Eddie or progress in his storyline. Or too much focus on Brad and Gerrard and not enough on the mains. Still no Chris!

And I get it. I do. There were a lot of things that could have been handled so much better, but the episode we ended up with? Well, like I said in my episode review: I liked it. It was filler, yes. But good filler. It set up new storylines and, while not very visible, it continued the existing storylines as well.

I loved seeing Buck stress-bake and gradually getting over Tommy. I love his family and friends all working together to make sure he didn't call Tommy. I loved the Maddie quote about the universe sending a special person (aka Eddie 😁). I liked the pregnancy reveal scene and the hug!🥰 I liked the Bobby hotshots storyline and the way the 118 banded together like a family again. Such great scenes.

I looooooved seeing Eddie happy and carefree again. Yes, I agree, Eddie needs to address the Chris of it all, but just let him be free for a while longer. Let him find himself first. He needs this. That being said, I do think next episode will end with him flying off to Texas to get his son back and he'll be there during hiatus, figuring himself out. When he gets back in the beginning of 8b is when his story truly begins. Though I still think we might get some kind of clue next week to tie us all over to 8b.

The only thing I didn't like was the Gerrard redemption arc. It was the wrong choice to make in my opinion, but now we're stuck with it, so I'm trying to see past that storyline for now.

I'm intrigued for next week. That call with the water and those people drowning? Another call back to Buddie's greatest NDEs hits. A talk between Brad and Eddie? Could this be about Chris? A non-cliffhanger 'cliffhanger' of some kind?

Yeah, I'm sat. I admit it. I liked what we got and I'm looking forward to next week's episode.

Nonnies, please know that I have read all your opinions and concerns about this episode and it's all very valid. They are your opinions and they matter just as much. No judgement here whatsoever.

The above is just my personal opinion. That's all. 🤷‍♀️

[kyoteugly]

911 8x07 Hotshots

This episode didn’t give me much to work with, so it’s not really a meta post but something in between with my personal opinion. Mostly about Buck.

First of all I want to say that Tim commenting fandom through FlashRob and Hotshots - nice move. Also Bobby storyline - awesome! Love it! So much fun!

BUCK: Too many baking scenes for my taste. 3 time reminder can be a little annoying, but… I thought about it in context to the lightning strike and Brad saying his character is in a coma. Buck knows calling Tommy is wrong, because deep down it’s not Tommy he misses but how comfortable in his own skin he felt and of course the rush of new relationship which allowed him to explore his sexuality. So yes, baking is about Buck not understanding what his next move should be in terms of being bi. The line about which pond to jump into is the quintessence of his dilemma, the core of falling into baking string.  Tommy didn’t teach him anything, didn’t show him queer spaces, didn’t introduce him to people who would make Buck feel more sure/comfortable about his sexuality. Buck didn’t seem to need it, because he felt comfortable with Tommy, and this is what is drawing him back. It can be scary to take that step alone, and while I have no doubt Buck wouldn’t have a problem flirting with guys, I believe he is stuck at the start line, meaning he doesn’t know which guys he can flirt with. It’s not rocket science, but when you’re sitting alone at home, thinking you want some intimacy with a male friend, you suddenly realize you have no idea what to do, where to look, so it’s natural you miss and seek familiarity.  Let’s circle back for a moment. Buck said he doesn’t know which pond to jump into… he didn’t say he doesn’t want to jump at all, or that he’s not ready. And this is why I think his obsessive baking has nothing to do with Tommy and everything to do with his sexuality and understanding himself. He followed an easy path - a guy kissed him (confusing him about his feelings by the way), they got into a relationship and he never analyzed it too deeply what it meant to him. Now he’s left to figure it out by himself. And here is where coma comes into play. Buck is stuck right now, unsure, a little lost. If you want to go further you can say his world has changed and he has to learn the rules anew (like in his dream). The key to waking up from a coma was to realize that being Buck is enough. Well, it’s still true in terms of his sexuality, and I think that calling himself ‘bisexual’ on screen would be a nice end to his struggle and a nice step forward. 

It would be really funny if Buck would figure himself out in the same episode that Brad’s character would wake up from coma. 

Another thing about Buck I want to mention is more sweet and Buddie related.  The scene in the firehouse, how Eddie steals Buck’s phone, playing hot potato with it. Come on, it’s basically a school puppy courting. If Buck had braids Eddie would be pulling them. And Buck even asked the teacher for help, and Bobby actually had to admonish/tap Eddie to give Buck his phone back. It’s a nice way to show that Buck is not alone, and his family, however savage sometimes, are there for him. It’s also a nice way to show goofy Eddie, the one who tries to be joyful (that little hop over the couch, awww), and it’s easy and natural with Buck. This scene also made me think about what Maddie said: “So does this boy-crush on Eddie mean you’re finally ready to move on from Abby?” I’m probably seeing too much into this, but it makes me happy so… who cares!

Now, I see a lot of people upset about Buck and Eddie being stuck, like there is no progress compared to the last episode. But I think it’s not that bad. These things, figuring yourself out, takes time, and I believe Tim is taking every opportunity to tell their individual stories right. It’s better to drop a few short scenes telling the audience “Buck is struggling, Eddie is choosing joy” than put something more significant into the episode with 2 other big plotlines. I know it feels like Buck and Eddie are on two different paths, parallel to each other, but those paths will meet eventually and we won’t be prepared for that. 

We should watch our backs, because something is coming right at us. This is actually the theme of this episode…

Starting with Athena - at that sting operation, when she was told she’ll have a rookie and later when she shares her opinion about him. Gerrard and Bobby have Brad creeping behind them. Eddie get scared by the Chief, and of course his scene with Buck when he gives the phone back (and this one is the closest of them all).

Now… I would ignore it, call it a comic relief if that would happen once or twice (Athena with the rookie, and Bobby with Brad), but seven times? Something’s up… And I have a feeling it's about next episode. Maybe someone's past will catch up to them, or someone will hear something they shouldn't, or not being aware of their surroundings will put them in danger... I don't know, there is something ominous about it. Or you know, I missed something deeper in this episode or this is a message for us, fans, like I said, to watch ourselves because we have no idea what’s coming. Or maybe... someone is watching us...

[lyricalpiece]

Did someone say self-indulgent ZoSan fics?? ⬇️

A Revealed Past ~ A helpless Sanji is tortured until the secrets of his past are revealed onscreen, while the rest of the Straw Hat Pirates have a hard time accepting what they're seeing.

From Now On ~ Sanji left. Zoro had a hard time. And now they're confessing things.

[royalarchivist]

I love the QSMP. Not only has it introduced me to many amazing international creators, it's also introduced me to the French and Brazilian community, who are so sweet, funny, and chaotic in their own unique ways. I love seeing fans sharing their culture and learning from one another, and I myself have learned a lot this past year. I think it's incredible how QSMP brings so many different people together – all of us united in our love and passion for this project and its goals.

But passion can often evoke strong emotions, and these strong emotions aren't always positive.

The past few months, I have seen multiple waves of hate, bad-faith generalizations of communities, and racist remarks directed at fellow fans – especially those who are part of the French / Brazilian community. This kind of behavior is inexcusable, and is in direct conflict with the mission of QSMP, which is to break language barriers and unite communities.

We are a global community with a variety of people from different backgrounds. Miscommunications may occasionally occur because of cultural differences and/or language barriers, but we should use these moments as opportunities to learn and engage with other people rather than assuming the worst about them and starting fights.

Although certain issues can be resolved with communication, sometimes it’s better to block and move on. Avoid spreading negativity or hate, and save yourself the headache of interacting with people who are just looking for someone to argue with.

No matter what community we're a part of or what languages we speak, we're all here to have fun. Please remember to be kind to each other. We have more in common than we have in conflict.

[hplonesomeart]

Hey!! So turns out a video I made between a certain “well beloved but highly sensitive/emotionally reactive T.V” and an “orange haired inkling-turned-human” has managed to sweep my YouTube channel and accumulate 100k VIEWS!! THAT’S A LOT OF PEOPLE ACTUALLY?? My most widely viewed video EVER to exist in this moment in time?? AAAAA?? Not even mentioning the various comments and staggering increase in subs! It’s so much more then what I expected or even prepared for—might even be the most impactful thing to happen for me this year <3

…aside from graduating high school + the social connections I’ve been fortunate to make lol

BUT THE POINT IS I’d been closely monitoring the YouTube growth through the entirety of October. It’s make me smile like a dork, gawk in astonishment, dance frantically in my room from the energy boosts, and grow courage to stop being so selective/self-conscious with what I wish to share with the world! It’s kept my ambitions going!

I needed to find some way to celebrate the occasion and express my thanks—because I can’t NOT acknowledge this milestone jksjskp. Typically I try to avoid getting tunnel visioned focusing on the metrics/numbers. Mr. Puzzles had already demonstrated how much those things can mess with the minds of creatives. Caring too much about chasing views or placing your artistic value in attention seeking gets damaging. But at same time…it’s hard to deny the sense of pride the 100k achievement has filled me with. I understand that reaching 100k views doesn’t immediately make me any “better” or “worse” then I was before. I’m still just me! It only helps me feel seen by others—and that’s all I really needed. To hear some nice words & receive reminders that my ideas are cared about. So thank you SMG4 fandom for that, seriously thank you.

Please accept this Mr. Puzzle drawing as a way of sharing the happiness around. He’s so entertaining. Love him for simply existing. So glad we can all collectively be super attached to him (and the rest of the SMG4 cast of course). Can’t wait to see more incredible artworks from the fandom :)

Just incase anyone is confused by my vague description over which “animated video” I’m referring to here—hopefully this photo will help clarify lol. It’s this one!! Sorry about not outright stating the title at the start, I got carried away with writing!!

I’ve been in an odd place mentally when thinking about it. Wondering to myself if any of the attention is deserved considering it’s not even fully colored and could be dismissed as “low effort” content (despite taking several days making it). It’s easy to get into a trap of comparing yourself to others and questioning how much of the videos success is based on your skills, sheer algorithm luck, or only because you used popular characters and catered to a specific fandom. And then judging yourself by looking at other peoples videos. I’ve seen several artists post higher quality works then my own but it somehow gets less views. So why did mine succeed when others (who should have gotten just as much attention if not more) didn’t? Sometimes you feel like you’ve unfairly robbed them of that chance to be seen. However I’ve realized that I can’t ever expect views to be consistent—and comparing is pointless. So why worry about it or feel inadequate? I mean it’s pretty common for funny cat videos to go viral, so who am I to question the system lol. “Popular” YouTube videos can range from a passion project which took 7+ artists…to a clip of Toad singing Chandelier or a nonsensical Vine sketch. Anything can happen when it’s the internet! And just-so-happened my video was chosen. I should stay glad about that and get rid of all the overanalyzing. So that’s what I’ve chosen to do :)

[canyoureallycallthisablog]

Would you all still love me if I posted kirby content be honest with me I can take it

[philosophiums]

If the sky falls down right now, you're the one that I'll worship...

[bambeebirdie]

This is for @bluepeachstudios ‘s Ghost in a Shell. It’s really good you should read it.

I looked at exactly one picture of Jupiter Jim and went “yeah this should be enough to draw him.” I will not be answering if it actually was

Have some bonus content under the cut!

And sketches

(I love any character who can say “I don’t want to go back to prison” it’s like the funniest thing to me)

[cerunilea]

Sometimes I think about how Jaiden gets like all of the goodwill from Cucurucho and Cellbit gets a great deal of the malicious intent. Like, Cucurucho is for the most part neutral and cordial to everyone as befitting the "perfect" representative of the Federation, but Jaiden manages to get pleasant moments out of the majority of Cucurucho encounters, even having a very comfortable experience when getting "kidnapped", beyond the memories missing.

Meanwhile, Cellbit even now that he (under complicated and ultimately inescapable circumstances) works for the Feds still gets messed with, not even including his torrid past with the chainsaw incident, taunting post-incident, kidnapping his best friend, etc. Cucurucho can't torture him with chainsaws anymore now that he's an employee so he does the next best thing: bothering him with the fact that he is helping the Federation and hates it so so much, and I am almost certain Cucurucho knows it and takes glee in his emotional distress.

A lot of it is just based on their perspectives of the one they're interacting with (#1 Cucurucho Apologist vs. #1 Cucurucho Hater), but Cucurucho does seem to make an effort to solidify both of those perspectives when around them.